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Putting on the faux weight helped Harden find the last pieces she needed to play the character. She laughs and stresses to make sure everyone knows her sagging chin is all the work of prosthetics.
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Harden wore body padding to show the character’s weight increase over the years. For Skeggs, that meant having no hair (to keep up the appearances of chemotherapy treatments) and being twisted into a wheelchair. Support was crucial as working on “Love You to Death” threw both of them an acting curve having to go through some serious physical transformations. She explains all that attention is just Harden being “an incredibly nurturing and generous person.” Skeggs always felt well taken care of on set and in the process learned a lot from Harden about acting. Skeggs decides to translate what Harden is saying. When Emily would want to go to a restaurant, I would say ‘What about me? Don’t you think I should be there, too?’ No matter what she wanted to do I inserted myself completely,” Harden says. “I couldn’t separate myself from Emily and I wouldn’t allow her any freedom at all. Harden took the mother-daughter scenario beyond the work that was done in front of the cameras. Skeggs has appeared in “Salem” and “When We Rise.” The Oscar-winning Harden has been working professionally since the ’80s, appearing in “Sinatra” (as Ava Gardner), “Mystic River,” “The Newsroom,” “Fifty Shades of Grey” and “Pollock”). Neither Harden nor Skeggs were familiar with the condition. But, it’s far more complicated.”īoth actors did research before the filming started with an emphasis on understanding the disorder of Munchausen syndrome by proxy. You think if you were in those situations you would have just told the doctor what was really happening. “You think you understand the motivations. “It’s an extremely complicated story,” Skeggs says.